Tryin Voir + Showreel Interdit aux chiens et aux Italiens Voir + Interdit aux chiens et aux Italiens Sortie le 25 janvier 2023
ANIMATED FILMS
STOP-MOTION, TRADITIONAL 2-D ANIMATION, COMPUTER ANIMATION
THE
STUDIO
LARGE STOP MOTION SETS
Over 500m² fully equipped with LED, dollies and bodies
TRADITIONAL AND 2-D COMPUTER ANIMATION
Drawings, watercolour scenery, digital or traditional animation
WORKSHOPS
Scenery and character, woodwork, moulds for accessories, construction workshops...
EQUIPEMENTS
2-D studio + 20 workstations / bodies, lenses and LED lights
FX COMPOSITING EDITING
A space dedicated to the last stages of films
AN IDYLLIC SETTING
Situated in the middle of cherry orchards less than 10 minutes from Valence high-speed train railway station!
Our latests derniers
Films
  • Beirut, Lebanon today. Wardi, is a young 11-year-old Palestinian girl who lives with her family in the refugee camp where she was born. Sidi, her beloved great-grandfather, was one of the first refugees to move into the camp after being forced from his village in 1948. When Sidi gives her...
  • The kingdom of Lunet is peaceful until a pack of wolves lay siege to it. Their leader is an old man who has escaped from prison after a very long sentence, and who controls the animals by playing the flute to them. Owen, a small boy from the village teams...
AWARDS and SELECTIONS
FILMS
Gallery
Gallery
M² DEDICATED TO ANIMATION
HOURS OF PROGRAMMES
ARTISTS & TECHNICIANS
AWARDS
OUR TEAM

Alexandre CORNU – Les Films du Tambour de Soie

Foliascope is working with us on our new film “Interdit aux chiens et aux italiens (“Dogs and Italians keep out)” and has brought together an extremely talented team around our director”

Patrice NEZAN – Les Contes Modernes

When we produced our first animated feature film it was crucial to be able to work with an animation studio which shares our craft-based approach and artistic demands.
Our experience in fiction, documentaries and international financing combined with Foliascope’s creativity and ability to listen enabled us to make our film within a tight budget but without having to make concessions.

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FOLIASCOPE
HISTORY
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